Bro i'm scared at the and (1)
Bro i'm scared at the and (2)
where to even begin with hitomania… disgustingly amazing song and miyashita yuu just brings this whole other level of experimental sickness to it. it’s short but insanely addictive. really gorgeous contrast almost immediately with the tipsy playful vocal jumps on ‘hitosama no’ and the electronicness of the following bits. the ending line ‘tsumuji sasu’ is mockingly delicate, and
‘aho no’ of next starting phrase is deep and sardonic. you can really hear the maretu cover voice come out in parts, like
‘aho no’,
‘koshinuke yo’. and the
‘naaaanda’ is just. god, hearing that for the first time had me grinning like an idiot because it is just SO out there and rough and indifferent and. such an indulgent flavor of miyashita yuu.
love the first chorus because up until now, he’s been playing around and goofing off. vocal jumping and singing airily and rasping and now he’s a little serious, cut the bs for a second. he assumes that haughty voice and he’s singing with this passion but it’s not an emotional discolure, vulnerable kind of passion. it’s determination? he has this specific voice where he sounds lighthearted but also threatening, and i think that’s what we hear in the first chorus.
the (tobitai) scratches my brain in the best way
gorgeous contrast again with the cute innocent question-voice at to the
lazy drawl ‘kane de koroshite’. i really like that during meta-commentary tidbits, eg ‘polyester jobs are a no-go?’ miy_yuu very often approaches them with this like feigned innocence. we see it in parts of doctrine doctrine, i think. but he sings that line so naively, like a cute rookie asking a genuine question, but knowing that it’s miyashita yuu we know it’s actually all a front. and he rips off that cover immediately in ‘i’ll kill them all with money’. it really is like he has all these characters or fronts he cycles between, and the contrast of each being shoved in your face is really ugh addictive to listen to.
すまんｯｯネ゙゜！ ←好き
｢すまんね"ｯｯｯ｣←ねの潰れてる感好きです……なんでこの声が国宝にならないのですか。
すまんね。←いいよ、いいよ遊さんになら金でころされたっていい。そして"ね"えぐい好き。
そして ここはループ1回目において10回はリピった。ありがとうございます。
ﾈ゛ｯ
but enough playing, the exhaustion of acting-- ‘human-pretending’, even-- is back in . he’s not really apologetic about deleting it, his 'keshita' isn’t in that naive voice from earlier, he really… doesn’t care, it sounds more like relief. the contrast between the cutesy
‘twitter’ to the really gorgeous and abrasive ‘hitomania’ is sooo good…. love the echo on his
‘shio wo ’, little nod to the echoey omnipotent voice we hear in the background of his blind faith meta covers like idolatry, kowloon hotel etc.
the naaaanda is back again except that rasp lingers into ‘omae’. it’s rough and it makes me as the pathetic hito-viewer feel a little ashamed of my pathetic hito-existence lol…. but can’t last too long because we get that really cool articulated ‘biba yokunai!’ and you can hear the delicate layer on top but the serious voice is still dominating. it’s close to the song end and we don’t have the leisure of playing games anymore. at
genuine goosebumps
, even though the naive → crude pattern in the first chorus happens again here, he’s more aggressive with the
This sounds so cool. And I like how you did the funny scream in the and the other time as well.
‘kane de koroshite ai o kau ne.’ maybe he means it this time?
love how he almost spits out the tsumanne at , spitting out this apology. ‘we get those really satisfying pitch jumpiness we get in the following lines. and the last section entirely is just agh. so good. i'm taken aback by the
｢最⤴︎高だよ｣と｢ちい⤴︎さくなってく冠婚葬祭｣
‘ikiro/ you must live’ , has this interesting breath preceding it and he uses this exhaling almost inhuman voice. he uses that feigning innocence voice again at the death line, almost cute little meow on the ‘kutabara-nya’. great song….. all the voices are just insane
Nya button
