開幕からアンタ呼びたすかる
「馬鹿だった」のビリビリ感すこ
the more i listen to this song the more addicted i get and i just can't stop listening. when i first listened i was so shocked by this new and unfamiliar voice but i think any listener of miyashita yuu hears his entrance at and is immediately hit with the 'oh yeah, that's him.' he enters with so much strength and style and he has this firm but sarcastic tone that is just SO Miyashita Yuu. at
イヤホンだと右から低めの声が聞こえてくる
when he says 'no GA issou' the prominence of his 'ga' is so striking and snappy and he immediately contrasts that commanding masculine tone with the more feminine
'look around'. the chorus at
「逸らしてしまいたいわ」がMVも相まってフルフルして聞こえる
サビの盛り上がりが凄まじい、声のマッチ度合いが完璧すぎる耳が幸せ
本家以外でこの音圧の音作りできる歌い手存在しないだろ…
blends their voices so perfectly, they harmonize so well but there's a distinct Kihow and Miy_yuu that you discern in between breaths. i really love how at
боже какой же припев божественный...
「消えてくんないわ」の「わ」の部分が好きすぎる
Kihow holds onto the 'waa' slightly longer and there's this femininity to the 'wa' that contrasts the relatively masculine voice she opened with.
あたりからのビブラート改めてよく聞くとすごい…！
this entire part actually hits like crack in the 90s
the muffled and silky voice miyashita yuu returns with at is insanely seductive but still patronizing, reflecting the meaning of the lyrics so well. (i highly reccomend viewers to read the translation while listening, because it provides so much insight into why certain tones are used during certain parts). the
宮下さんに「良い子ね」って言って貰えるのマ？？？
➥からの声の変わりようが冗談みたいなカッコ良さしてる無理
little vocal jump and sigh is, again, So Miyashita Yuu-- remniscent of his playful parts in A Mistaken Belief of Love etc.
「はぁ」👈（ありがとう）(好き)
「痛い!痛い!痛い!」の声好き
宮下さんならこの世の不条理全部自分のせいにされても良い
his transition from softly singing to building up momentum and letting it out, and splitting up the
「楽なのにな」で急に声変わるの反則すぎないだろうか
'na-Ha' instead of just one 'naa' is so characteristic of miy_yuu's syllable-playful style of singing. the chorus that follows is just. addictive. you can hear his voice more distinctly with kihow in the supporting, and he takes over at
omg this part is so good
然后的低音我飞了封面tetomiku也是帅爆了，，遊桑画风中的金典下眼皮点点发现 xP
MIYUU SCREAM IN MY EAR AND MY LIFE IS YOURS
ラスサビの音圧にずっと浸って先に進めない助けて
with this insane energy that just captivates you. i love how Miyashita Yuu has a sense of regality and richness even when he's totally belting like this. i think it's hard to maintain that tone in this kind of a chorus but you can hear at
His range will never fail to blow me away
めっちゃ「I miss you」が重なってて幸せイヤホン開発してくれた人ありがとう
when he says 'kyoushi', he deepens the 'ou' and 'i' to make more of a rich and tonal sounding 'kyouushii' that is just so much more impressive, because he can retain so much vocal control and manipulation even in a very unrestrained style line.
「消えてくんないわ」の「わ」が最高なんだってマジで
