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the more i listen to this song the more addicted i get and i just can't stop listening. when i first listened i was so shocked by this new and unfamiliar voice but i think any listener of miyashita yuu hears his entrance at and is immediately hit with the 'oh yeah, that's him.' he enters with so much strength and style and he has this firm but sarcastic tone that is just SO Miyashita Yuu. at
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when he says 'no GA issou' the prominence of his 'ga' is so striking and snappy and he immediately contrasts that commanding masculine tone with the more feminine
'look around'. the chorus at
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blends their voices so perfectly, they harmonize so well but there's a distinct Kihow and Miy_yuu that you discern in between breaths. i really love how at
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Kihow holds onto the 'waa' slightly longer and there's this femininity to the 'wa' that contrasts the relatively masculine voice she opened with.
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this entire part actually hits like crack in the 90s
the muffled and silky voice miyashita yuu returns with at is insanely seductive but still patronizing, reflecting the meaning of the lyrics so well. (i highly reccomend viewers to read the translation while listening, because it provides so much insight into why certain tones are used during certain parts). the
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little vocal jump and sigh is, again, So Miyashita Yuu-- remniscent of his playful parts in A Mistaken Belief of Love etc.
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his transition from softly singing to building up momentum and letting it out, and splitting up the
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'na-Ha' instead of just one 'naa' is so characteristic of miy_yuu's syllable-playful style of singing. the chorus that follows is just. addictive. you can hear his voice more distinctly with kihow in the supporting, and he takes over at
omg this part is so good
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MIYUU SCREAM IN MY EAR AND MY LIFE IS YOURS
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with this insane energy that just captivates you. i love how Miyashita Yuu has a sense of regality and richness even when he's totally belting like this. i think it's hard to maintain that tone in this kind of a chorus but you can hear at
His range will never fail to blow me away
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when he says 'kyoushi', he deepens the 'ou' and 'i' to make more of a rich and tonal sounding 'kyouushii' that is just so much more impressive, because he can retain so much vocal control and manipulation even in a very unrestrained style line.
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