seriously, his style really fits this song. i love the sort of distorted/dissonant harmonies in the entire song that intensifies at the chorus and how it pairs with his soft singing. and at and
i love the underlying vocals here, they're so hypnotic!!!!!!
からの「心持ちでいても」で原キーからオク下に自然に切り替わるのすき
the way he goes for the scream instead of the high note but cuts it off is SO GOOD!
「何もないんだ」からコーラスが急に遠くなって「今更」で戻ってくるの、目の前の光景に茫然とした後はっと我に返る感じで映像と合っててすごい
when you can kind of hear more forceful singing underneath the harmonies?? pure cinema. all of it really gives you the uneasy and hazy feeling of “it was all just a dream.” i hope miyashita yuu knows he’s an absolute king
