ここスムーズに音程変えられるのすげえ…（00:01:16 - 00:02:00）
散り散り 歌ってみた／宮下遊
宮下遊 miy_yuu / Official Channel
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動画数：99件
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「馬鹿だった」のビリビリ感すこ
the more i listen to this song the more addicted i get and i just can't stop listening. when i first listened i was so shocked by this new and unfamiliar voice but i think any listener of miyashita yuu hears his entrance at and is immediately hit with the 'oh yeah, that's him.' he enters with so much strength and style and he has this firm but sarcastic tone that is just SO Miyashita Yuu. at
イヤホンだと右から低めの声が聞こえてくる
when he says 'no GA issou' the prominence of his 'ga' is so striking and snappy and he immediately contrasts that commanding masculine tone with the more feminine
'look around'. the chorus at
「逸らしてしまいたいわ」がMVも相まってフルフルして聞こえる
サビの盛り上がりが凄まじい、声のマッチ度合いが完璧すぎる耳が幸せ
本家以外でこの音圧の音作りできる歌い手存在しないだろ…
blends their voices so perfectly, they harmonize so well but there's a distinct Kihow and Miy_yuu that you discern in between breaths. i really love how at
боже какой же припев божественный...
「消えてくんないわ」の「わ」の部分が好きすぎる
Kihow holds onto the 'waa' slightly longer and there's this femininity to the 'wa' that contrasts the relatively masculine voice she opened with.
あたりからのビブラート改めてよく聞くとすごい…！
this entire part actually hits like crack in the 90s
the muffled and silky voice miyashita yuu returns with at is insanely seductive but still patronizing, reflecting the meaning of the lyrics so well. (i highly reccomend viewers to read the translation while listening, because it provides so much insight into why certain tones are used during certain parts). the
宮下さんに「良い子ね」って言って貰えるのマ？？？
➥からの声の変わりようが冗談みたいなカッコ良さしてる無理
little vocal jump and sigh is, again, So Miyashita Yuu-- remniscent of his playful parts in A Mistaken Belief of Love etc.
「はぁ」👈（ありがとう）(好き)
「痛い!痛い!痛い!」の声好き
宮下さんならこの世の不条理全部自分のせいにされても良い
his transition from softly singing to building up momentum and letting it out, and splitting up the
「楽なのにな」で急に声変わるの反則すぎないだろうか
'na-Ha' instead of just one 'naa' is so characteristic of miy_yuu's syllable-playful style of singing. the chorus that follows is just. addictive. you can hear his voice more distinctly with kihow in the supporting, and he takes over at
omg this part is so good
然后的低音我飞了封面tetomiku也是帅爆了，，遊桑画风中的金典下眼皮点点发现 xP
MIYUU SCREAM IN MY EAR AND MY LIFE IS YOURS
ラスサビの音圧にずっと浸って先に進めない助けて
with this insane energy that just captivates you. i love how Miyashita Yuu has a sense of regality and richness even when he's totally belting like this. i think it's hard to maintain that tone in this kind of a chorus but you can hear at
His range will never fail to blow me away
めっちゃ「I miss you」が重なってて幸せイヤホン開発してくれた人ありがとう
when he says 'kyoushi', he deepens the 'ou' and 'i' to make more of a rich and tonal sounding 'kyouushii' that is just so much more impressive, because he can retain so much vocal control and manipulation even in a very unrestrained style line.
「消えてくんないわ」の「わ」が最高なんだってマジで
絵もお上手なのおかしくないですか＿＿＿＿
異化だけ匿う森と 幼い画布王の為 吸う独尊 狩る思と想名 破棄し 苦痛説いた師父と民 博愛 差異 雨 友よ白の発火 御声 目覚めさ雷と黒 午睡 戸惑い 苦楽断つ哀しみの詩 粧した乖離許す弧 実が成すまで
待ち惚け 不夜城に誘って集う 非公式な数多未知なる灯り寄る間に日が暮れて待ち倦ね 血迷い誘って募る 不等式のソナタ五線譜の上 相容れない不可思議に増す鼓動 揺らぐまま途切れずに証明し謳歌
(1)
2:19 but this melody 2:02 had me falling like an autumn leaf for him (4)
i'm so addicted to (1)
i'm so addicted to 2:03 2:20 sooo damn much (4)
「証明し謳歌」 歌い方好き…
不甲斐無さ 劣りも上手く描け 打開嘘と知る観測 ℃薄めた脳を塗布した意図 美しき花世 求め合い 最悪は見たさめざめECHO 勝つは狼煙暗くイド纏い 双六と地図 解確かめた 鵜呑みしなかったDEMA 砂噛み 擦るユリイカ
THIS IS PEAK
same zame 🥺
i love this part
〜 DEMA 砂 噛み 擦る ユリイカのとことか割とわかりやすい
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2:14 yuu always delivers above and beyond for choruses with an emotional melody 0:41 2:19 but this melody 2:02 had me falling like an autumn leaf for him (2)
街外れ 裏通り彷徨って鎮む 自暴自棄は彼方意に染まぬ問い問う間に身焼かれて待ち焦がれた時もいつかは過ぎるのならば世を自然で観られる
as much as we love to praise miy_yuu's versatility and unexpectedness (as we should), i love it when there are certain voices that are so effective and that he's mastered so addictively, so he reuses them where they perfectly fit. you have no idea how hard i cheer whenever he does this elegant contained tone often for the quieter section before the explosive last chorus
had me falling like an autumn leaf for him
i'm so addicted to 2:19 i love how he sings the "ma" 0:43 2:03 2:20 sooo damn much (2)
i'm so addicted to 2:20 sooo damn much (5)
ここの「問う」と「間に」の間の一瞬の溜めがすごく好きなんです同志いませんか
の「問う間に」のアレンジ、めちゃ好き
待ち惚け 不夜城に誘って集う 非公式な数多未知なる灯り寄る間に日が暮れて待ち倦ね 血迷い誘って募る 等式のソナタ五線譜の上 相容れない不可思議に増す鼓動 揺らぐまま途切れずに証明し謳歌
yes another comment about the choruses because they're just so insanely good. i'm in love with the tone he uses, husky velvet rich and full of conviction. every note pulls at my heart, the way he sings the melody like emotional gravity
yuu always delivers above and beyond for choruses with an emotional melody
非「公」式のところがなってます？かっこよ…
よすぎる🤦♀️
but this melody
i love how he sings the "ma"
sooo damn much
こっちもド好き
「正と偽しようか」ビブラートが美ブラートすぎる…かっこいい…
I'm crying... this is so good.... thank u so much miy yuu for the cover and NILFRUITS for the original song....
one instance is at &
seriously, his style really fits this song. i love the sort of distorted/dissonant harmonies in the entire song that intensifies at the chorus and how it pairs with his soft singing. and at and
i love the underlying vocals here, they're so hypnotic!!!!!!
, how he cuts his ending note into bits, in sync to the drums!!! it's so cooland i feel blown away in every song, it's like every breath was placed carefully by him, the little "aaa" harmony in chorus is so cute :')
からの「心持ちでいても」で原キーからオク下に自然に切り替わるのすき
the way he goes for the scream instead of the high note but cuts it off is SO GOOD!
「何もないんだ」からコーラスが急に遠くなって「今更」で戻ってくるの、目の前の光景に茫然とした後はっと我に返る感じで映像と合っててすごい
when you can kind of hear more forceful singing underneath the harmonies?? pure cinema. all of it really gives you the uneasy and hazy feeling of “it was all just a dream.” i hope miyashita yuu knows he’s an absolute king
why is he teasing us with the stronger voice but only in the background, I'm going crazyy over this part 😭😭
his voice is soo pretty
is SOOO GOOOODDDDD
the high notes in this part are really beautiful btw.
the white bread 3d model is ESSENTIAL
(Listen)
The sense of being alone.A fragment of memory.Sounds of those shattering.The feeling of being aloneThe emotion of being aloneWhy are they, why are they, why are they
WHAT IS THIS ANGELIC VOICE???
Gone, gone, gone.
Like a cinematic illusionThe vacuous happiness fades awayWas the thing I was watching a puppet?Vague, fallacious associations andTemplate words just loopingFalling into such mediocrity
i think im in love…
(1,2,3,4)
the little “ichi ni san shi” tickles my brain in such a nice way. thank you king for blessing us with more whispering vocals 🤍
(Disappear)
The heart that trembled just a littlefor every word you admire—where has it gone?Meant to leave it alone? Figure of speech, I guess.If nothing touches your heartstrings,Erase everything!
はああああすき( ；꒳； )
gave me chills
The hustle and bustle I hated going away,a warped loneliness raidsHave I just been lonely for the whole time?
This part is so sad and lonely, i can't stop listening to it, it's give you an empty vibe that is really peaceful and absolutely beautiful
It's all cinematic illusion!Erase them all, even the fading joy!Yes, everything, everything, everything everything, everything everything, everything, everything.
POLSKA GUROM
Erase everything!
の「全て作った過去でホラを吹けば良い」の声の変わり方すごすぎる
SECONDS IN AND I HAD TO PAUSE THE VIDEO OH MY GODDD
最近の遊さん明らかに低音域がパワーアップしててすき低音強強宮下遊助かりすぎる……
後ろで伸ばしてる声好き
took me too long to find out this was that guys reacting to a movie meme
hoh!!…
mascot from that video with the guy being forced to eat a bowl of noodles also this was such a trip
電子音みたいになる高音好き
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is very beautiful.. he sounds new
OMG MIYA SANN!!
the noise he makes at reminds of the ethereal bird noise he made for the album version of sect. theres a lot of tasty noises in this cover but that ones my favorite
going absolutely insane over backround vocals and vocals IN GENERAL at this and the following momentsabsolutely made my evening 10 times better❤
どんな風に表現するのかとワクワクで聞いてから脱帽した。ここずっとリピれるくらい好きや…
〜の足音に合わせて鳴っているピチャ…ピチャ……の音のアレンジも大好きです。
から足音入ってんの、作り込みが最高すぎて大喜びしてしまった 流石俺たちの宮下遊
ここからの水面歩く音が本当作品愛感じます。
本当にだいすき...
ペタペタ音好